Voss De Luxe

Voss1Voss6

Voss3 - Copy

Voss2Stunning machine. Hard to put down: it’s silky smooth and exudes engineering precision. The bulbous body glows with a sheen, and the feel is crisp; the return lever swings like glassy water. It mesmerizes and seduces, extracting secrets and confessions. It laughs at your puny reams of paper, and responds like a coiled spring.

 

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1937 Woodstock

Woodstock1

Woodstock2

I’ve owned two Woodstocks, and I was disappointed by both: they seemed very sensitive Woodstock3to typing technique, and had a tendency to blur and shadow letters. I sold the No. 5 recently and, on a whim, decided to write a letter with this one, which had also languished for several months. It was my favorite due to its soft feel and angular grace. But the squashed type was a turnoff.

Halfway through the page, I realized this is a wonderful machine. I realized the muddy lettering was due to being overly aggressive with it, and that a gentler, slightly sharper touch did the trick without sacrificing the quality of the imprint.

It has a few issues: it often misaligns upon the return, and the backspace key doesn’t work. I have both issues with a Rheinmettal KST, and I resolved them the same way. I shifted the margin setting, at which point it Woodstocktypefacesometimes goes past the beginning of the line. This is much better than having to return the carriage with added force: all I have to do now is tap the space bar. The backspace problem isn’t really an issue: I simply move back manually. Once I adjust to the velvety keystroke, I have crisp copy. But it usually takes me a graph or so to get there: I’m used to pounding uprights.

It amazes me how some machines improve with time and distance,  and how perceived defects become character quirks.