It’s a long story, of course: that’s one reason I bought the paper roll in the first place. It’s graph paper made for EKG machines and measures 8 1/2 and, I’m guessing, at least 100 feet. I decided to use the white backside because it’s less distracting. I bought it for $10 shipped from a shop in China.

I turned to the roll because my prose slowed to a trickle: I was overly deliberate while trying to write “literature.” And yet, I wrote letters every day, usually for hours. So I decided to pen a manuscript that is essentially a long letter. The goal is to put aside the ivory stage and tap the inner core, “energy unchecked;” to forge ahead regardless of polish. That will come–if it gets that far–during the editing process.

I chose one of my Olympia SM3s with elite typeface for this project: I don’t foresee changing typewriters, and I made sure to choose one that I would look enjoy. I relish its crisp, sharp touch: it even sounds beautiful.

So far, the writing is coming along: average is three or four graphs a day (I still work on letters, and keep a journal). I don’t labor as much because I write as if I were addressing a friend, not an audience. But I have to remind myself that, if I expect progress, I need to keep in touch with the roll and roll with it.