This is delightful electric, and my favorite so far. It was Olivetti’s first portable electric, and was made in the ’70s. It was designed by architect Ettore Sottsass. The first versions had rounded keys which which were later determined to be impractical for faster typing, and later models had rectangular keys. It has a metal body and a floating keyboard, and feels light to the touch. This one came with the original black, molded case, which is streamlined and has ridges running along it.
I find the Lettera 36C wonderfully compact and tidy. I like the sleek design and find it very user-friendly. There are three dials on the bottom front: one is the on/off dial; another is for touch-control; and the other is for adjusting key force when using multiple sheets. The red button at the top left of the keyboard is a key dejammer of sorts: when keys strike each other, the keyboard function disengages. Pressing the button returns it to typing mode.
One thing I really like is that the spools don’t have nuts, something I’ve always found irritating because lacking one can render a manual useless, at least in my experience. I also like that is has a correcting function, though I haven’t bought a ribbon for that. I’m afraid prolonged use of correction tape will result in fine dust that can cake on key parts with time.
I’m a big fan of uprights from the ’20s through ’50s, but this charming machine is enjoyable and efficient. It’s attractive, and one feels like touching it, humming along as the sentences snake forth.